Download You Won't Believe Your Eyes: A Front Row Look at the by Mark Thomas McGee, R. J. Robertson PDF

By Mark Thomas McGee, R. J. Robertson

This used to be the day that engulfed the realm in terror! Up from the forbidden depths comes a tidal wave of terror. What was once this amazing beast born fifty million years out of time? It claws... it drains blood. Bullets will not kill it! Flames cannot harm it! not anything can cease it! physique of a Boy! brain of a monster! Soul of an unearthly factor! No woman was once secure so long as this HEAD searching factor roamed the land! Human feelings stripped uncooked! It occurs earlier than your horrified eyes! extraordinary! intriguing! Terrifying! Thrills! surprise! Suspense! it may and DID occur! in accordance with real proof you are been examining approximately. the main remarkable movie of our time! Like not anything your eyes have ever visible earlier than! Uncut! proven precisely as filmed! We urge you to not panic or bolt out of your seat. do not see it by myself!

Show description

Read Online or Download You Won't Believe Your Eyes: A Front Row Look at the Sci-Fi/Horror Films of the 1950s PDF

Best movies books

Beyond the Subtitle: Remapping European Art Cinema

A provocative rethinking of nationwide cinema, authorship, and the self-discipline of movie reviews studying eu paintings motion pictures of the Nineteen Fifties and Sixties, Mark Betz argues that it's time for movie research to maneuver past winning New Wave historiography, mired in outmoded notions of nationalism and dragged down by way of a long time of auteurist feedback.

You Won't Believe Your Eyes: A Front Row Look at the Sci-Fi/Horror Films of the 1950s

This was once the day that engulfed the realm in terror! Up from the forbidden depths comes a tidal wave of terror. What used to be this notable beast born fifty million years out of time? It claws. .. it drains blood. Bullets will not kill it! Flames cannot damage it! not anything can cease it! physique of a Boy! brain of a monster!

Mabel Cheung Yuen-Ting's An Autumn's Tale

This learn of An Autumn's story argues that Hong Kong movies are a window into realizing the shared pasts and ongoing connections among Hong Kong and different globalized towns. considered during the lens of transnational American stories the movie sheds vital insights on either Hong Kong and U. S. heritage, tradition, and identification.

Unthinking Eurocentrism: Multiculturalism and the Media

Unthinking Eurocentrism, a seminal and award-winning paintings in postcolonial stories first released in 1994, explored Eurocentrism as an interlocking community of buried premises, embedded narratives, and submerged tropes that constituted a widely shared epistemology. inside of a transdisciplinary research, the authors argued that the debates approximately Eurocentrism and post/coloniality has to be thought of inside of a large old sweep that is going a minimum of way back to a number of the 1492s – the Inquisition, the Expulsion of Jews and Muslims, the Conquest of the Americas, and the Transatlantic slave alternate – a approach which culminates within the post-War makes an attempt to substantially decolonize worldwide tradition.

Additional info for You Won't Believe Your Eyes: A Front Row Look at the Sci-Fi/Horror Films of the 1950s

Example text

This picture has everything — Sonny Tufts, 3-D, the Hollywood Cover Girls, and a giant spider — but no ending. The spider was rented from Western Costume and it was still there, four years later, in a corner, and gathering dust when Astor Pictures decided to remake the movie. Hey Ed, come here. Look at this. Am I losing my mind or is that the same damn spider we used in that crappy "Cat-Women" picture we made a few years back? I’ll bet you five bucks it is. I can’t believe somebody hasn’t set fire to it.

She asked with some surprise. Yes, we told her, it had. ” To someone weaned on the likes of Stars Wars and Jaws, something as impoverished as War of the Satellites was completely incomprehensible. Frankly, I’m grateful that she didn’t ask us why we were watching it again. Today, obscene budgets are lavished on sci-fi films, and armies of technicians slave over the special effects. In the fifties, there were one or two guys doing the effects, and the budget for the whole movie was $65,000 or less.

What nobody knows is that Van Ponder has been replaced by an alien saboteur. But how was this masquerade possible? Somebody must have found Van Ponder’s corpse or nobody would have known that he was dead. And if the aliens hadn’t sent the phony Van Ponder to the United Nations, their worries would have been over, and the program would have been scrapped. But, like we said, Corman never promised the movie would make sense. Five-foot-five-inch Dick Miller — a regular in Corman films — was the hero of the piece.

Download PDF sample

Rated 4.34 of 5 – based on 16 votes