By James M. Dunlop
Any artist wishing to perform determine drawing or to appreciate the body's circulation will do good to review the interplay of muscle tissue with bone constitution. This undying creation to human anatomy combines paintings and technological know-how, targeting real looking depictions of the skeleton's impression at the exterior shape and the attachments of the muscular system.
More than 70 black-and-white illustrations convey the positions and names of muscle tissues and bones. transparent and exact, the diagrams hide every thing from the bones and muscular tissues within the neck, head, trunk, limbs, hand, and foot to info of the face. Artists at each point of expertise will locate this quantity an essential reference.
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Extra info for Anatomical Diagrams For The Use Of Art Students
DIAGRAMMATIC NOTES OF VARIOUS BONES SURFACE FORMS OF THE TRUNK. THREE-QUARTER FRONT VIEW OF SKELETON. THREE QUARTER BACK VIEW OF SKELETON. DIAGRAMS WITH NOTES ON PROPORTION.
BACK VIEW. —BACK VIEW. —SIDE VIEW. —SIDE VIEW. DETAILS OF THE FACE. MUSCLES OF THE HEAD. MUSCLES OF THE NECK.. MUSCLES OF THE TRUNK. MUSCLES OF THE THIGH—FRONT VIEW. MUSCLES OF THE BUTTOCK AND HIP. MUSCLES OF THE THIGH—BACK VIEW. OUTER VIEW OF THE FOOT. —FRONT VIEW. —BACK VIEW. MUSCLES OF FRONT AND INNER SIDE OF FOREARM. THE PRONATOR AND FLEXOR GROUP. MUSCLES OF BACK AND OUTER SIDE OF FOREARM THE SUPINATOR AND EXTENSOR GROUP. —PALMAR VIEW. —PALMAR VIEW. —BACK VIEW. SURFACE FORMS OF THE LIMBS. DIAGRAMMATIC NOTES OF VARIOUS BONES SURFACE FORMS OF THE TRUNK.
BACK VIEW OF THE LOWER LIMB. OUTER VIEW OF THE UPPER LIMB. FRONT VIEW OF THE UPPER LIMB. INNER VIEW OF THE UPPER LIMB. BACK VIEW OF THE UPPER LIMB. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW. THE BONES IN RELATION TO OUTLINE OF FIGURE. BACK VIEW. CONSTRUCTION LINES OF THE STANDING FIGURE. BACK VIEW. THE BONES IN RELATION TO OUTLINE OF FIGURE. SIDE VIEW. PARTS OF THE BONES WHICH DIRECTLY AFFECT THE SURFACE FORM—SIDE VIEW. THE BONES AS IN ACTION—FRONT VIEW.